![]() Now, we’ll move to the clip of the eagle. Using a Sticky Note won’t leave any gunk on the screen of our monitor. We’ll mark the front tip of the glider with the corner of a Sticky Note. ![]() We’ll play back the glider clip until we reach the last 30 frames, or the starting point for the cross dissolve transition. The trick is to find the perfect time or to use the nudge trick.įirst, let’s try to get lucky and find a possible split second to match the glider (screen left) with the eagle (screen unpredictable). Ideally, we’d like to get the objects in the same position on the screen as we make the transition. The hang glider is composed on the left side of the screen at the end of this clip, and the eagle is composed mostly on the right side of the screen (although the shot is somewhat shaky, and the eagle moves throughout different parts of the screen). But the two shots don’t fit nicely together for the cross dissolve. Naturally, the transition from one to the other makes sense. In the second shot, we’ll cross dissolve to an eagle soaring in the sky, just like the hang glider. In the first shot, we have a hang glider flying in a great big blue sky. Let’s take, for an example, two shots that we’d like to nicely juxtapose in a cross dissolve. Using the same technique, we can enhance shot composition. On some projects, that be might all you’re charged to do, but other projects need an artist’s touch. The offending shotgun mic has now been neutralized with a simple increase in size and nudge upward.įixing boo-boos is not always the focus for the editor. This leaves a good solid horizontal edge of the video clip at the top that is hidden from the viewer. With the video clip size at 105%, we can also reposition the clip so that the bottom edge is flush with the bottom of the video canvas. However, if you go too big, the video quality will degrade, and you’ll start to see a good deal of pixelation. Depending on how far down the mic dips into the frame, we may need to increase the size. But, in this scenario, we will actually increase the video clip’s size to display at about 105% of its original size. ![]() It’s one of the many ways to do the picture-in-picture (PIP) effect. Resizing a video clip allows you to increase or decrease the video size. You can almost certainly find these controls in professional applications, such as Adobe Premiere Pro, Final Cut Pro, Sony Vegas Pro, etc. Most video-editing applications allow you to resize your video clips. Anything more and we wouldn’t be able to do this trick (but we would likely have caught it during the shoot). If we’re lucky, it appears only briefly, and it drops only slightly into frame. Let’s say one of our shots is victimized by a sagging shotgun mic that has entered the top of the video frame. ![]() Of course, this immediately destroys the illusion and the viewer is made aware of the Oz behind the curtain.Ī simple cure exists in the editing room, which has saved producers a great deal of time and money. We also might see the edge of a light stand, a barndoor or many other pieces of equipment. ![]() The most common offender is the tip of a shotgun mic that has dipped into the shot from above. As a result, we’ll find things along the edges of our screen that are not supposed to be there. Although we don’t like to admit it, sometimes we don’t pay attention to our picture when we’re shooting as closely as we should. ![]()
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